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E-text prepared by Charlie Howard
and the Online Distributed Proofreading Team
()
from page images generously made available by
Internet Archive/American Libraries
(http://archive.org/details/americana)

 

Note: Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/histamerliterat00pattrich

 

Transcriber's Note

This book often uses periods where we would expect to see commas.

Lifespans of people still living when this book was written were printed witha long dash (1831——) and that style has been retained here.

Footnote numbers in the source reset to "1" at the beginning of each chapter,and usually appeared at the bottom of the page that referenced them. In thiseBook, there is just one sequence for all of the footnotes, and they appear atthe end of the book, following the Index.

Some footnote anchors in the source refer to the same footnote. In this eBook,those Footnote's numbers are: 86, 100, 104, 114, 118, 157, and 163. The backlinks from thefootnotes only go to one of the duplicates.

 


 

 

 

A HISTORY OF
AMERICAN LITERATURE
SINCE 1870


A HISTORY OF
AMERICAN LITERATURE
SINCE 1870
BY
FRED LEWIS PATTEE
Professor of the English Language and Literature in the Pennsylvania
State College. Author of "A History of American Literature,"
"The Poems of Philip Freneau," "The Foundations of
English Literature," etc.
D. APPLETON-CENTURY COMPANY
INCORPORATED
NEW YORK LONDON

Copyright, 1915, by
The Century Co.
ALL RIGHTS RESERVED, INCLUDING THE
RIGHT TO REPRODUCE THIS BOOK, OR
PORTIONS THEREOF, IN ANY FORM.
PRINTED IN U. S. A.

TO DARTMOUTH COLLEGEAND THE DARTMOUTH MENOF THE EIGHTIES, STU­DENTSAND PROFESSORS,AMONG WHOM I FIRSTAWOKE TO THE MEAN­INGOF LIT­ER­A­TURE AND OFLIFE, THIS BOOK IS IN­SCRIBEDWITH FULL HEART.


PREFACE

American literature in the larger sense of the term began withIrving, and, if we count The Sketch Book as the beginning, thecentennial year of its birth is yet four years hence. It has beena custom, especially among the writers of text-books, to dividethis century into periods, and all have agreed at one point: in themid-thirties undoubtedly there began a new and distinct literarymovement. The names given to this new age, which correspondedin a general way with the Victorian Era in England, have beenvarious. It has been called the Age of Emerson, the TranscendentalPeriod, the Nationa

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