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BLACKWOOD'S
EDINBURGH MAGAZINE.

No. CCCLIV. APRIL, 1845. Vol. LVII.

 

 

 

CONTENTS.

Virgil, Tasso, and Raphael,401
Ping-Kee's View of the Stage,415
The Midnight Watch,424
Vestiges of the Natural History of Creation,448
Marston; or, the Memoirs of a Statesman. Part XVI.,461
Betham's Etruria Celtica,474
Suspiria de Profundis: being a Sequel to the Confessions of an English Opium-Eater,489
North's Specimens of the British Critics. No. III.—Dryden,503

 

 

 

EDINBURGH:
WILLIAM BLACKWOOD AND SONS, 45, GEORGE STREET;
AND 22, PALL-MALL, LONDON.
To whom all Communications (post paid) must be addressed.
SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM.

PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH.

 

 


[Pg 401]

BLACKWOOD'S
EDINBURGH MAGAZINE.

No. CCCLIV. APRIL, 1845. Vol. LVII.

 

 

 

 

VIRGIL, TASSO, AND RAPHAEL.

Originality of conception and fidelity of observation in general mark theefforts of genius in the earlier ages of society; and it is then,accordingly, that those creative minds appear which stamp their ownimpress upon the character of a whole people, and communicate to theirliterature, in the most distant periods, a certain train of thought, acertain class of images, a certain family resemblance. Homer, Phidias, andÆschylus in ancient times—Dante, Michael Angelo, Ariosto, and Shakspearein modern, belong to this exalted class. Each in his own department hasstruck out a new range of thought, and created a fresh brood of ideas,which, on "winged words," have taken their flight to distant regions, andto the end of the world will never cease to delight and influence mankind.Subsequent ages may refine their images, expand their sentiments, perhapsimprove their expression; but they add little to the stock of theirconceptions. The very greatness of their predecessors precludes freshcreations: the furrows of the ancient wheels are so deep that the modernchariot cannot avoid falling into them. So completely in all persons ofeducation are the great works of antiquity incorporated with thought, thatthey arise involuntarily with every exercise of the faculty of taste, andinsensibly recur to the cultivated mind, with all that it admires, andloves, and venerates.

But though originality of conception, the creation of imagery, an

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