Transcriber’s Note:

Minor errors in punctuation and formatting have been silentlycorrected. Please see the transcriber’s note at the end of thistext for details regarding the handling of any textual issuesencountered during its preparation.

The frequent appearance of text in blackletter font is rendered herewith this font.

Full-width images have been moved to paragraph breaks. The pagination usedin the list of Plates is approximate, but are linked here directly to eachplate.

Footnotes have been resequenced to be unique across the text, andwere moved to the end of the text.

The cover image has been fabricated and is placed in the public domain.


SHAKESPEARE
AND
THE EMBLEM WRITERS.

LANGTON.Sc.MANcr
Portraits from Original Plates,—Bocchius by Bonasone, A.D. 1555; the others by Theodore de Bry, A.D. 1597.

SHAKESPEARE
AND
THE EMBLEM WRITERS
AN EXPOSITION OF THEIR
SIMILARITIES OF THOUGHT AND EXPRESSION.
PRECEDED BY A VIEW OF EMBLEM-LITERATURE DOWN TO A.D. 1616.
By HENRY GREEN, M.A.
With numerous Illustrative Devices from the Original Authors.
Portrait of Shakespeare

Portrait of Shakespeare.
From the Oil Painting in the possession of Dr. Clay, of Manchester.

LONDON: TRÜBNER & CO., 60, PATERNOSTER ROW.
1870.
[Right of Translation reserved.]

Preface

FEW only are the remarks absolutely needed byway of introduction to a work which withinitself sufficiently explains and carries out a newmethod of illustration for the dramas of Shakespeare.As author, I commenced this volume because ofvarious observations which, while reading several of the earlyEmblem writers, I had made on similarities of thought andexpression between themselves and the great Poet; and

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