Transcriber's Note:

The cover image was created by the transcriber and is placed in the public domain.

MOTION PICTURE DIRECTING
THE FACTS AND THEORIES OF THE NEWEST ART

By PETER MILNE

Motion Picture critic for over six years onMotion Picture News, Picture Play Magazineand Wid's (Film) Daily; and member scenarioand production department of FamousPlayers-Lasky Corporation.

Published and Copyrighted by
FALK PUBLISHING CO., Inc.
145 West 36th Street, New York
Used as a Supplementary Text in
New York Institute of Photography
NEW YORK CHICAGO BROOKLYN
Copyright 1922
by
FALK PUBLISHING CO., INC.
ALL RIGHTS RESERVED.

CONTENTS

The Great and the Less Great8
 
The Picture Sense20
 
Preparation for Production29
 
The Method of William De Mille37
 
Cecil De Mille Also Speaks47
 
When Acting Ability Helps57
 
Rex Ingram on “Atmosphere”61
 
Mainly About D. W. Griffith70
 
Mountains and Molehills82
 
Some of the Arts of Slapstick Comedy90
 
Other Tricks Up Directors' Sleeves100
 
Some Words from Frank Borzage110
 
What Tempo Means in Directing120
 
“Overshooting”—and the serial126
 
The Method of Thomas H. Ince135
 
Directors Schooled by Ince146
 
Who Creates a Picture...

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