A HISTORY
OF
Art in Chaldæa & Assyria

FROM THE FRENCH

OF

GEORGES PERROT,
PROFESSOR IN THE FACULTY OF LETTERS, PARIS; MEMBER OF THE INSTITUTE,
AND

CHARLES CHIPIEZ.

ILLUSTRATED WITH FOUR HUNDRED AND FIFTY-TWO ENGRAVINGS IN THE TEXT
AND FIFTEEN STEEL AND COLOURED PLATES.

IN TWO VOLUMES.—-VOL. II.

TRANSLATED AND EDITED BY
WALTER ARMSTRONG, B.A., Oxon.,AUTHOR OF “ALFRED STEVENS,” ETC.

London: CHAPMAN AND HALL, Limited.

New York: A. C. ARMSTRONG AND SON.

1884.

London:
R. Clay, Sons, and Taylor,
BREAD STREET HILL.

[v]

CONTENTS.

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CHAPTER I.
CIVIL AND MILITARY ARCHITECTURE.
PAGE
§ 1. General Character of the Mesopotamian Palace and History of theExcavations 1–8
§ 2. The Palace of Sargon 9–32
§ 3. Other Palaces of Mesopotamia 32–53
§ 4. Towns and their Defences 53–77
CHAPTER II.
SCULPTURE.
§ 1. The principal themes of Chaldæo-Assyrian Sculpture 78–109
§ 2. Materials 109–125
§ 3. The Principal Conventions of Chaldæo-Assyrian Sculpture 125–142
§ 4. On the Representations of Animals 142–173
§ 5. Chaldæan Sculpture 173–202
§ 6. Assyrian Sculpture 203–243
§ 7. Polychromy 243–250
§ 8. Gems 251–280
§ 9. The General Characteristics of Chaldæo-Assyrian Sculpture 281–291
CHAPTER III.